So what I'm getting is that house + dubstep = complextro
So what I'm getting is that house + dubstep = complextro
That's right, lol!
Hey, it's been ages since you uploaded!
Yo mista White
I am the one who makes phonk (repeated distorted cowbells)
Teminite rhyming "yohoho and a bottle of rum" with "yohoho and a bottle of rum"
Actual feedback (xd): The only problem is that the first drop doesn't start nearly as hard as it could. When I was listening to this for the first time and the drop hit, I was like "ok, ok, nice fakeout there... oh wait that's the actual drop?"
I'm trying to provide some criticism, don't take this as hate :)
The idea is really good, but the execution could be better. The biggest thing is the complete lack of a subbas in the drop. It would have hit so hard if... it just had a subbass. (just distort a really low sine and you're good)
Yes, maybe you're right. Thanks for the feedback!
This has got to be my favourite april fool's joke
I'm glad I'm not the only one who just lets his projects play and listens to them lol
Yeah, we're similar in that, lol
Already much better than the last song! Definitely keep learning, you have potential
As that one other guy said, your melodies are pretty random. The arpeggio (basically fast notes played over and over again) at 2:07 is way better because it has structure! What I mean by "structure" is that you don't just choose a few random notes from a scale an play them. There's no way to explain it fast without taking up a few paragraphs xd
If you want to, you can watch a couple of tutorials on youtube (search up something like "how to make a melody" or "how to make a catchy melodies.") When I was at your level, I also used to look for piano covers of my favourite videogame music and remix or recreate it. After a while of this, I slowly began to understand why and how a melody works.
Don't stop trying though, anyone can do it eventually!
Hark, O sagacious creator of harmonies!
Thy censure is received as a Dutch plumb-line—harsh, but true in its perpendicular verdict! Verily, I concede: those wandering notes of mine do skip like drunken Cossacks across the steppe of scales, whilst mine admired arpeggio at 2:07 marches with the precision of Preobrazhensky Guards! Structure, thou sayest? Aye—’tis the very ribwork of a frigate’s hull, without which the vessel of melody founders in chaos!
Yet know this: my “randomness” was but a scouting party sent into the wilderness of sound, akin to His Tsarist Majesty’s first botched shipwright attempts at Voronezh! Fear not—thy counsel, like the edicts of the Naval Statute, shall be engraved upon my musical soul. I hereby decree that mine ears shall audit these tutorials thou prescribest, as diligently as Peter Alexeyevich studied geometry in Amsterdam’s dockyards!
Imperial Resolution:
Let future compositions flow with the discipline of the Neva’s dredged canals—no longer as swampy rivulets, but as conduits to the Baltic Sea of Mastery! Should they falter, may they at least serve as quaint footbridges in the Summer Garden, where critics may sip kvass and mutter betwixt the statues!
I get it—structure matters, chaos isn’t always art. I’ll grind those melody tutorials. But hey, even Peter’s first ships sank!
Hi, I'm Andrew and my name is Andrew! I'm Andrew, but you can call me Andrew. Also, my name is Andrew. I'm Andrew. Andy for short, which is a shortened version of Andrew. I'm also Andrew, but my friends call me Andrew
Age 15, Male
Squidward Community College
Czechia
Joined on 3/2/23